Further vs. Farther

Henry Ford was a very meticulous and accomplished man. I know this, because I grew up in Michigan, and the Ford story, as well as Ransom Eli Olds’, was an addendum to the New Testament, Torah, and any other holy book you can name. That stated, I cannot imagine Mr. Ford signing off on any advertising campaign so grammatically incorrect as the one now blasted on the airwaves and in every other medium.

“Ford: Go Further.”

Really?

Oh, please. The brain trusts who put those words together should have researched further to learn that what they are asking potential customers to do is “Go More.” “Go Additional” is just too painful to say. It is hard enough for me to type, because every fiber of my being wants to do a handstand on the delete key.

I shouldn’t be so harsh on those ill-educated copy writers, though, because the further/farther error is made so often and by so many people who should know better, teachers and professors included, that the mistake goes nearly undetected.

Except by me.

There is a common reason why people mix up the words, and it has more to do with speaking than writing. “Further” sounds better. It sounds intelligent. British, even, and we all know how entranced Americans are with accents, especially British ones. The spoken “further” brings to mind the sound of the classic movies of the ’40s when actors and actresses demonstrated extremely affected accents that were British-ish, kind of European, though not quite anything at all. The effect they were going for was classy and intelligent and that’s the impression the sound of “further” seems to invoke. For the speaker, anyway, but not always the listener.

Another reason people confuse the words is that they are so similar on the page as well as to the ear. Okay, I can accept that, but at some point, wouldn’t you as the speaker or writer want to figure out which word you should be using?

Since dictionaries and thesauri rarely grace home or office shelves anymore and online versions more often reflect colloquial usages rather than proper, I’m going to give you an easy way to remember which word you should use.

If you are talking about distance, use farther.

If you are talking about anything else, use further. Oh, sorry, I didn’t mean to write that, really. Okay, I did, but what I meant to get across to you is that, typically, when people say or write “further,” they mean “farther.”

Think, “furthermore” when you are tempted to use “further.” To do something further is to do something more. The “-more” in “furthermore” is your clue.

If you use “go,” you are talking about movement, which implies distance, which means you use “farther.” Ford wants people to use their vehicles to actually go farther as well as use their minds to go deeper into their imaginations to see riding off into the sunset in their new Ford whatever. To “think outside the box” is to let your mind go outside your normal strictures and think up something new. That’s a distance. That’s a virtual movement. That’s a time to use “farther,” not “further.”

Please, don’t make me explain that if you have to go three more exits before you get to a rest stop that you have to go three exits “farther,” not “further.” The pain would be unbearable.

Now, to discover more information on a subject is to find “further” information. Information gathered on a subject can “further” explain something. You’re talking “additions to” and “more.”

So, last time: Farther: Distance, Further: More.

NO PART OF THIS ARTICLE MAY BE REPRODUCED WITHOUT PERMISSION, ATTRIBUTION, AND LINK-BACK.

Copyright © 2013 Diane Faulkner.  All rights reserved worldwide, including the right of reproduction in whole or in part in any form.

Reproduction or transmission of any part of this work by any means, electronic or mechanical, including photocopying, beyond that permitted by Copyright Law, without the express permission of the author, is prohibited.

Text:  Copyright © 2013 Diane Faulkner.  All rights reserved worldwide.  Crabby Copy Editor™ and related trademarks appearing on this website are the property of Diane Faulkner.

Write the right words, and make them real

“Oh!  That’s so addicting.”  Actually, annoying is the word that comes to mind when I see or hear addictingAddictiveAddictive is a word.  Addicting is not a word, and it’s a teeny-bopper mistake that I am seeing more frequently from writers who should know better.

How can so many writers not know which words are real?  What’s gotten into everyone?  Should I blame IMing or TwitterFacebook, maybe?  I don’t know, but the problem is everywhere I turn it seems.

Progressive Insurance commercial:  “We’re the only ones that do.”  Ahh!  Only ones who do.  Who, not that.  The word ones refers to living, breathing entities, which should be the first clue to the writer of that particular ad that s/he’s made a mistake.

24:  “…safety deposit box…”  Where’s my pencil?  I need to poke out my eye.  Safe deposit box.  A safe deposit box is a box inside a safe, which is how those particular types of boxes got their names.  (I was a credit union executive before I was a full-time writer.  I think you can take my word on this one).

CNN:  “Impact Your World.”  You’re kidding, right?  The moment that show was advertised, I emailed CNN.  Let’s just think a moment about what ‘impact your world‘ means.  Imagine a world.  Now imagine a huge hand smacking the world.  The smack is the impact.  The hand had an impact on the world.  Impact needs to be followed by ‘on’ or ‘of’ or some other appropriate article to make sense.

When I see impact these days, I see it incorrectly used in place of effect or affect.  This tells me I’m working with either a lazy writer or a writer who want h/her work to sound important.  Impact is one of those words that is crisp to the ear.  Short.  Punchy.  This is why it is so often used in advertising and sales.  It’s one of those words that should tell  listeners (or readers) that they’re being sold something.  Someone wants to convince them of something.  Impact has gone the way of jargon, and should be avoided at (nearly) all costs, save when speaking about teeth.

History Channel:  “The answer lies…”  Oh, god, please, not the History Channel.  I love the History Channel, and the more I watch it, the more I hear this mistake.  “The answer lay…” People lie.  Things lay.  That’s your shortcut for today.  My colleague, Mignon Fogarty can give you some more examples, but for now, just remember:  if it breathes, it lies.

Pick your adQuality. Since when does the word quality not have to be quantified?  When you write, “That’s quality work,” what do you mean?  What kind of quality?  Good?  Bad?  Mediocre?

Badly. I leave you with badly.  When this word started to replace bad, I don’t know; but it has to stop.  When you write “I want it badly,” what you are telling the reader is that you don’t know how to want very well.  The sentence should read, “I want it so much,” or “I want it a whole lot.”  If you can want something badly, you should also be able to want something goodly, and we all know that’s just not an option.

Do you have any pet peeve words or phrases?  Share them here.  If you have a question for me on the editing process or just want to know how you can better please your editor, ask me.  I may be crabby, but I am here to help.

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NO PART OF THIS ARTICLE MAY BE REPRODUCED WITHOUT ATTRIBUTION AND LINK-BACK.

Copyright © 2010 Diane Faulkner.  All rights reserved worldwide, including the right of reproduction in whole or in part in any form.

Reproduction or transmission of any part of this work by any means, electronic or mechanical, including photocopying, beyond that permitted by Copyright Law, without the express permission of the author, is prohibited.

Text:  Copyright © 2010 Diane Faulkner.  All rights reserved worldwide.  Crabby Copy Editor™ and related trademarks appearing on this website are the property of Diane Faulkner.

Photo:  Copyright © 2010 Devany Vickery-Davidson.  All rights reserved worldwide.  Used with permission.

Does it breathe? That vs. Who

You know the sound fingernails make when scratched across a blackboard? Makes you cringe, doesn’t it? Well, it doesn’t make me cringe. What makes me cringe is when people, authors and journalists especially, misuse words when they really should know better.

When I’m editing, one of the first things I do is take out my list. I have a list of words and phrases that are most often misused, and I do a search-and-replace on every manuscript before I do the first read-through. If I didn’t, my eyeballs would be permanently focused on the back of my head.

I just don’t understand how writers can make such simple errors time and again. What’s worse is that I can’t believe the mistakes get past editing.

My current head-shaker is the use of “that” when “who” is obviously the correct word.

Turn on any show and listen to what the characters are saying. How many times does the script call for the actor to say something like: “Anyone that does that is crazy.” Anyone ‘that’. That? No. Who. Anyone ‘who’. Gawdalmighty, someone please grab hold of the nearest scriptwriter and shake him. I’m way past tired of hearing that mistake on television. I curse the characters now, and it’s getting a little embarrassing.

Listen to the news. How many times do you hear anchors talk about people “that” have done something? Even my beloved Anderson Cooper has made the error. I could only shake my head and turn away. For shame, Andy. For shame.

Read the news, books, journals. You’ll find the error everywhere. Really. You will.

Which brings me back to why I’m writing this rant in the first place. I want to help you not make this mistake. I want to help you make your editor just a bit happier with you than she is with every other writer whose work crosses her desk.

I’m going to give you a simple tool to remember which word is applicable. It’s easy. Just ask yourself if the object being referred to can breathe. If it can, use ‘who’. Whether the word is a name, title, pronoun, the correct word is ‘who’.

“Pets who are spayed have a better chance at a healthy life.”

“Presidents who listen to their citizenry and act accordingly do better in polls.”

“Writers who think as they write make editors very happy.”

Get me?

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NO PART OF THIS ARTICLE MAY BE REPRODUCED WITHOUT ATTRIBUTION AND LINK-BACK.

Copyright © 2010 Diane Faulkner.  All rights reserved worldwide, including the right of reproduction in whole or in part in any form.

Reproduction or transmission of any part of this work by any means, electronic or mechanical, including photocopying, beyond that permitted by Copyright Law, without the express permission of the author, is prohibited.

Text:  Copyright © 2010 Diane Faulkner.  All rights reserved worldwide.  Crabby Copy Editor™ and related trademarks appearing on this website are the property of Diane Faulkner.

Photo:  Copyright © 2010 Devany Vickery-Davidson.  All rights reserved worldwide.  Used with permission.